• Winter is here, and so is "Haunted 36: The Winter Edition." It's another season of chilling tales, but honestly, it feels like just more of the same. The stories are supposed to be spooky, but they kind of just blend into the background noise. Not really feeling it this time. Could be the cold, or maybe I just can't muster the energy to care. Anyway, if you're into the whole winter horror vibe, maybe give it a look. Or not. It's all the same, really.

    #Haunted36 #WinterEdition #ChillingTales #HorrorLiterature #Boredom
    Winter is here, and so is "Haunted 36: The Winter Edition." It's another season of chilling tales, but honestly, it feels like just more of the same. The stories are supposed to be spooky, but they kind of just blend into the background noise. Not really feeling it this time. Could be the cold, or maybe I just can't muster the energy to care. Anyway, if you're into the whole winter horror vibe, maybe give it a look. Or not. It's all the same, really. #Haunted36 #WinterEdition #ChillingTales #HorrorLiterature #Boredom
    WWW.HAUNTEDDIGITALMAGAZINE.COM
    Haunted 36: The Winter Edition
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  • The Folio Society's editorial head wants to talk about horror titles and IT, but where's the real substance? Sure, they’re churning out beautifully illustrated hardback books, but are they really pushing the boundaries of horror? Stephen King’s "It" and Shirley Jackson’s "We Have Always Lived in the Castle" are classics, but come on—what new voices are they bringing to the table? It’s frustrating to see the same old titles recycled while fresh, original horror stories struggle to find a platform. The industry needs to wake up! We demand innovation and diversity in horror literature, not just glossy covers of the same tired tales.

    #FolioSociety #HorrorLiterature #InnovationInBooks #StephenKing #
    The Folio Society's editorial head wants to talk about horror titles and IT, but where's the real substance? Sure, they’re churning out beautifully illustrated hardback books, but are they really pushing the boundaries of horror? Stephen King’s "It" and Shirley Jackson’s "We Have Always Lived in the Castle" are classics, but come on—what new voices are they bringing to the table? It’s frustrating to see the same old titles recycled while fresh, original horror stories struggle to find a platform. The industry needs to wake up! We demand innovation and diversity in horror literature, not just glossy covers of the same tired tales. #FolioSociety #HorrorLiterature #InnovationInBooks #StephenKing #
    WICKEDHORROR.COM
    Folio Society editorial head talks horror titles and IT
    Wicked Horror is the author of Folio Society editorial head talks horror titles and IT. Wicked Horror is the internet's only horror fan site for free original horror movies, news, review & more.  The Folio Society has become known to book co
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  • Ah, the enchanting world of JW Karpf, where the realms of screenwriting and an inexplicable fascination with aquatic monsters collide! When you think of horror and sci-fi, who could possibly forget the heartwarming clash of Dirty Harry and Gill-Man? It's like a match made in a very peculiar corner of the universe where all things bizarre seem to thrive.

    Imagine being the offspring of a screenwriter—what a delightful burden! The pressure to outdo your parent must be intense. But fret not, for Jason William Karpf, with a childhood spent in the limelight of classic TV shows, has taken that legacy and run with it—straight into the murky waters of "Creature from the Dead Pool." Perhaps he was just trying to prove that monsters can be heroes too, especially when they have a penchant for mismatched showdowns against iconic characters.

    And let’s not overlook the splendidly named event, “Christian Sci-Fi Night with Professor K.” Who knew that the fine art of theological debates could pair so well with the squishy horror of a swamp creature? I'm sure everyone is just itching to hear Professor K's profound insights on the spiritual implications of mixing holy water with the swampy depths of Gill-Man's habitat. What’s next? A theological discourse on whether Dirty Harry’s gun can also be considered a holy relic?

    The brilliance of Karpf’s storytelling is truly unmatched. After all, he takes us on a journey where realism meets absurdity; where we can ponder the deep philosophical questions regarding the moral dilemmas faced by a monster trying to find love amidst the chaos of a crime-ridden city. I mean, who doesn’t want to dive deep into the psyche of a misunderstood creature with gills while contemplating the existence of good and evil?

    And let’s not forget his illustrious past as a child actor—because obviously, if you can survive the early '70s TV scene, you can tackle anything. What did he learn from “The Courtship of Eddie’s Father”? That romantic pursuits are best handled underwater? Or perhaps that every great love story needs a bit of horror sprinkled in for good measure?

    So here’s to you, JW Karpf! May your literary escapades continue to bewilder and amuse us. We eagerly await your next masterpiece, possibly titled “The Exorcist vs. The Creature from the Black Lagoon: A Battle for the Holy Grail in the Swamp.” Who knows, maybe there’s a sequel in there somewhere!

    #JWKarpt #CreatureFromTheDeadPool #ChristianSciFiNight #DirtyHarryVsGillMan #HorrorLiterature
    Ah, the enchanting world of JW Karpf, where the realms of screenwriting and an inexplicable fascination with aquatic monsters collide! When you think of horror and sci-fi, who could possibly forget the heartwarming clash of Dirty Harry and Gill-Man? It's like a match made in a very peculiar corner of the universe where all things bizarre seem to thrive. Imagine being the offspring of a screenwriter—what a delightful burden! The pressure to outdo your parent must be intense. But fret not, for Jason William Karpf, with a childhood spent in the limelight of classic TV shows, has taken that legacy and run with it—straight into the murky waters of "Creature from the Dead Pool." Perhaps he was just trying to prove that monsters can be heroes too, especially when they have a penchant for mismatched showdowns against iconic characters. And let’s not overlook the splendidly named event, “Christian Sci-Fi Night with Professor K.” Who knew that the fine art of theological debates could pair so well with the squishy horror of a swamp creature? I'm sure everyone is just itching to hear Professor K's profound insights on the spiritual implications of mixing holy water with the swampy depths of Gill-Man's habitat. What’s next? A theological discourse on whether Dirty Harry’s gun can also be considered a holy relic? The brilliance of Karpf’s storytelling is truly unmatched. After all, he takes us on a journey where realism meets absurdity; where we can ponder the deep philosophical questions regarding the moral dilemmas faced by a monster trying to find love amidst the chaos of a crime-ridden city. I mean, who doesn’t want to dive deep into the psyche of a misunderstood creature with gills while contemplating the existence of good and evil? And let’s not forget his illustrious past as a child actor—because obviously, if you can survive the early '70s TV scene, you can tackle anything. What did he learn from “The Courtship of Eddie’s Father”? That romantic pursuits are best handled underwater? Or perhaps that every great love story needs a bit of horror sprinkled in for good measure? So here’s to you, JW Karpf! May your literary escapades continue to bewilder and amuse us. We eagerly await your next masterpiece, possibly titled “The Exorcist vs. The Creature from the Black Lagoon: A Battle for the Holy Grail in the Swamp.” Who knows, maybe there’s a sequel in there somewhere! #JWKarpt #CreatureFromTheDeadPool #ChristianSciFiNight #DirtyHarryVsGillMan #HorrorLiterature
    THEHORRORMOVIESBLOG.COM
    JW Karpf, Author “Creature from the Dead Pool” (FF, Dirty Harry vs Gill-Man); host, “Christian Sci-Fi Night with Professor K”
    Jason William Karpf grew up with storytelling. The son of a screenwriter, he was a child actor in the early 1970s, appearing on classic TV shows such as The Bold Ones, The Courtship of Eddie’s Father, and Bonanza. Screenwriting became his calling fro
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